Archive for February, 2011

Policing Tunstall in the 1830s

February 28th, 2011

 

An early 19th century constable

We had only two constables in the town then and they were both cobblers as well as constables. They always stuck to their “last” until they were sent for whenever there was a row or a fight. Perhaps they had less to do with the “last” on Monday for this was the day when the idle Saints (drunken workmen) got most notice.

Colliers and potters rarely worked much on Mondays and with drink plenteously imbibed free fights were very common. Pugilism and dog fighting were then very much in favour, these succeeding the cock fighting of a previous generation. In every street there was a beer shop. Inside there would probably be a couple of men stripped to the waist, pounding at each other in regular fisticuff order, till they battered each other black and red; or else a couple of bulldogs (of which many were left) would be devouring each other amid a howling ring of brutal men. Sometimes the women would scream at these sights and the constable might hear them, or some woman would run to tell him what was going on. If not engaged elsewhere, he would come hurriedly, not with the modern bobby pace, and as soon as he was seen there was a cry raised, “The constable is coming.” That cry never failed to disperse a crowd. Fighting men would pick up their clothes and run as if for life. Backers of dogs would rush the mangled animals away or carry them in their arms. There was a potency in the word “constable” which I have never seen in the word policeman. But we live in progressive times.

I said the cry of “constable” never failed to disperse a crowd. But I saw it do so once. There was a riot among the colliers. This had sprung from a strike. These men had marched to a colliery with the purpose of destroying whatever they could touch on the pit bank. While engaged on this work, a cry came that the “constable” was coming. And so he did and expecting, as usual, that the crowd would disperse, he boldly ran into the thick of it. But nobody gave way. Nobody was afraid. The men were too numerous and too grimly in earnest, that when the constable attempted to hinder their destructive work, two or three of the men seized him and carried him to a large water pit, and threw him in as if he had been a dog. Doglike the poor constable tried to swim to the bank. I stood aghast full of curiosity and fear, and when the constable was coming to the side a collier got a rail and shoved him back. This cruel treatment was continued until the poor fellow was nearly exhausted, and as drowning was a near issue, a humane cry of protest was raised: the brutal collier threw down his rail, and the nearly drowned constable was allowed to crawl out and creep off home.

Extract from “When I was a Child” by Charles Shaw published in 1903.

PH/T


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£8 million from the Heritage Lottery Fund for Manchester’s Whitworth Gallery

February 28th, 2011

The Whitworth Gallery

The Whitworth Art Gallery at The University of Manchester has been awarded £8million by the Heritage Lottery Fund (HLF) towards the long-awaited extension designed by leading architects MUMA.

This development will transform the gallery – one of The University of Manchester’s best-loved cultural treasures – creating a new experience that can be shared by visitors from across the local community and those coming from further afield.

At the heart of the project is an elegant 21st century extension that will double the size of the public space at the gallery. An art garden will be created and a new main entrance will welcome visitors directly from Whitworth Park.

A new North Wing will embrace the park, housing a Landscape Gallery where Whitworth’s internationally important artworks will be displayed. Alongside this will be new study centre where visitors of all ages will be able to explore and learn about these wonderful collections. A promenade gallery will lead to the South Wing, comprising a new café and a Learning Studio opening into the art garden.

Exhibition spaces on the first floor will be revitalised, and the Edwardian staircases will be opened up creating a spectacular prelude to the Grand Hall. Three large barrel ceiling exhibition galleries will also increase the gallery space, including new windows that will open up views across Whitworth Park.

Over the last five years the number of visitors to the 120 year old Whitworth Art Gallery has doubled to 170,000.

This £12million development will open up a staggering 396m2 of new gallery space and double the artwork on display, whilst creating a beautiful and inspiring environment where visitors from near and far can enjoy these magnificent collections.

Director Maria Balshaw says of the Heritage Lottery Fund grant:

“We are delighted to have this investment which will enable us to make our vision for the Whitworth a reality. We’ve been developing our plans for over three years and can’t wait to start on the real thing. The project will create a gallery that’s truly fit for the 21st century and which we know our visitors are going to love”.

Sara Hilton, Head of the Heritage Lottery Fund North West, said:

“The Heritage Lottery Fund award will bring a vital transformation to the Whitworth Art Gallery, opening it up to the park and its neighbouring communities, and offering new opportunities for visitors to explore and enjoy. The gallery will be revitalised, creating new spaces that will allow more of these magnificent collections to be shared with the public.”

PH/ND


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Maryport’s links with the Titanic

February 24th, 2011

Edward Smith from Etruria the Captain of the Titanic

School children in Maryport will be delving into the town’s links with the ocean liner Titanic in a project that coincides with next year’s centenary of its ill-fated maiden voyage. The project has been made possible by a grant of £9,400 from the Heritage Lottery Fund (HLF).

Maryport C of E Junior School will be leading a group of a dozen local schools to make sure local children do not miss out on Cumbria’s commemoration event. They will contribute two short films to a performance called The Wreck of the Titanic taking place next April at the Sands Centre in Carlisle.

Maryport’s connection with Titanic’s tragic sinking in April 1912 stems from the fact that the ship was the pride of the White Start line, whose founder Thomas Ismay, was born in the town. Another Cumbrian was Joseph Bell, the ship’s chief engineer who was among the 1,500 people who perished. He is credited with keeping the ship’s boilers working to ensure that lights stayed on as long as possible helping passengers to make their way to the lifeboats.

The project is seen as a shot in the arm for the Maryport Museum which is currently closed but is due to re-open on Good Friday this year. The Titanic commemoration will help promote the museum and capitalise on the public’s continued fascination with the story of the vessel.

The children will help to make two short firms. One will relate the history of Maryport and its connections with the ship. The other will re-create a silent movie entitled ‘Saved from the Titanic.’ These will be premiered locally, at the Wave Centre later this year before becoming part of the special event in Carlisle that also features dramatic performances and a piece of specially commissioned music.

Head of the Heritage Lottery Fund North West Sara Hilton said: “Local children have the chance not only to learn more about their town’s special connection with the Titanic but they will be contributing to their local museum and a regional event. At the same time they will be able to learn about telling a story through the medium of film.”

For Cumbria County Council, Maryport Cluster Extended Services Advisor Nicola Woolley said: “It is wonderful to be able to offer the local children of Maryport a chance to be involved in activities that not only expand their local knowledge but extend their opportunities to learn new skills.”

It is hoped that the two films will form part of the Titanic display at the Maryport Museum and will be included on a DVD to be made available for every school taking part in the project.

 


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Prince Charles Visits Derwent Valley Mills World Heritage Site

February 24th, 2011

HIS Royal Highness the Prince of Wales visited the Derwent Valley Mills World Heritage Site in February 2011 to see a building restored to its former glory.

Ten years on from when the Derwent Valley Mills were inscribed on UNESCO’s World Heritage List, Prince Charles was in Cromford to see the award-winning transformation of its railway station buildings, and unveil a plaque to commemorate their completion.

The Arkwright Society scheme has turned unused waiting rooms into office accommodation whilst the Upside Waiting Room has been converted into a holiday let by owners Tim Collis and Ryan Phelps. The combined schemes have received a conservation award from the Railway Heritage Trust, as well as an Association of Community Rail Partnerships (ACoRP) award.

During his visit, Prince Charles visited both buildings, and met many of the people involved with the projects, including Belper architects George Jones and Pippa Mansel who developed the Arkwright Society Scheme.

As part of his time at Cromford, the Prince of Wales was shown some of the masterplanning work being developed by the Arkwright Society for the Cromford Mills.

 


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Trent & Mersey Canal could be a movie star

February 23rd, 2011

British Waterways has appointed Itasca Locations as its national film location management partner, to raise the profile of its waterways and properties across England and Wales to the film and photographic industry.

Ed Fox, British Waterways’ head of communications, said: “British Waterways cares for a remarkable network of historic canals, rivers and docks across the country which we already know has a strong appeal for commercial photographers and film-makers. Filming helps to raise public awareness of the waterways, attract visitors and contribute income for their upkeep. We are delighted then to have Itasca Locations on board and look forward to working with them to promote our hugely diverse locations to the industry.”

British Waterways is the third largest owner of listed structures in the country, behind the National Trust and the Church of England. It cares for a wide range of locations ranging from toll houses and lock cottages to warehouses, garages and office buildings, as well as more than 2,000 miles of canals, river, historic docks and reservoirs.

Vicky Furness, Itasca Locations said: “We are enormously proud to have been selected as British Waterways’ national film locations partner. Our aim is to make their eclectic portfolio of buildings, structures and waterways a first choice for productions being filmed in the UK.”

Water has long been an inspiration for creativity and, in recent times, canals and rivers have featured in supporting roles in everything from reality TV to James Bond movies. Big budget Hollywood favourites like ‘28 Weeks Later’ and ‘The World Is Not Enough,’ were filmed around the imposing cityscape of London’s Docklands, and recently the capital’s canal network has been used in the filming of Tomas Alfredson’s ‘Tinker, Tailor, Soldier, Spy’.

British hits like ‘The Full Monty’ include the famous scene where characters are marooned on the roof of a sinking car in the Sheffield & Tinsley Canal, and ‘This is England,’ features scenes on the Nottingham & Beeston Canal. Long-running TV classics like ‘Inspector Morse’ and ‘Coronation Street’ and productions including the adaptation of Terry Pratchett’s fantasy novel ‘The Colour of Magic’ and ‘Crusoe’ starring Sean Bean, have all utilised the waterway network as a location.

In 2012 British Waterways is due to be transferred in England and Wales into a third sector organisation, as a new ‘national trust’ for the waterways. During this time it will be more important than ever to utilise the great heritage asset, waterway scenes and iconic British locations they care for and manage, helping to raise the profile of the waterways across Britain.

Email phoenix.staffs@btinternet.com and let us know if North Staffordshire’s canals have already appeared in films or on television?



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